When the raw footage had been shot I could finally start editing. Firstly I didn't use any visual media but got the song and looked at it's sound wave so I could pin point beats on the video so that I could edit to the beat with ease. What i did when there was a beat was add a marker on the sound wave which made it easier to view when the beats were during the editing process. This made editing a lot faster as it mean the video media would snap to the beats of the music and make the editing seamless.
Once the audio had been marked for the beats I started to piece together a rough video, snapping the video media onto the marks on the audio. This didn't take long and gave me quite a clear picture of what I wanted for my music video. The problem this left me with is that the video was unrefined and choppy due to some inaccurate place audio markers and lack of transitions between video media. After this I discussed with my target audience how my video could be improved, what would make it more engaging? I got several responses.
Shot number
|
Location AM/PM
|
Lyrics
|
Actor/s
|
Camera shot
|
Angle
|
Movement
|
Details
|
1
|
PM Woodland path
|
Intro
|
Sadiq
|
Establishing shot
|
Mid
|
None
|
Slowly cuts inwards and outward
|
2
|
Feeble bones took me to a valuable weakness
|
Mid shot
|
Mid
|
None
|
Sadiq Kneeling
|
||
3
|
Close up
|
Mid
|
None
|
Sadiq moving his head upward
|
|||
4
|
There’s no comfort in silence no real violence in words
|
Mid shot/Long shot
|
Mid
|
None
|
Sadiq stands up to then look around
|
||
5
|
So I sharpen my blade and bowed my head before I ceased and desisted
|
Mid/long
|
Mid
|
Pan
|
Foliage shots to act as filler whilst editing
|
||
6
|
And though my stomach was a ball of resistance I went straight for
the course
|
Close up
|
mid
|
Track/ pan
|
Of sadiqs face looking around in curiosit and falling back
|
||
7
|
With burns on the back of my palms will I reget my cause? Or revel in
my thoughts?
|
Long shot
|
mid
|
none
|
Sadiq starting to march forward getting ready to walk
|
||
8
|
Woodland area PM
|
I’m caught in the winds of remorse ‘Cause everybody knows
|
Sadiq
|
Long shot
|
mid
|
none
|
Sadiq charges up to walk
|
9
|
What good is a sword next to a shotgun x3
|
Long shot
|
mid
|
none
|
Sadi walks toward the camera and away
|
||
10
|
Mid shot
|
mid
|
Pan/none
|
Foliage and sadiq feeling confuse
|
|||
11
|
How did I get stuck in this valiant position
|
Close up
|
mid
|
none
|
Sadiq sits down and rests
|
||
12
|
When either I’ll survive for an instant or cradle the earth
|
Mid shot
|
mid
|
Rotation clockwise
|
Sadiq still sitting mixed with sky and foliage
|
||
13
|
My god forsaken, weakend pulse, I knew I had to amend this
|
Close up
|
mid
|
none
|
Sadiqs face
|
||
14
|
Though I never was a force to be reckoned, or a sight to behold
|
Establishing shot
|
low
|
pan
|
Foliage
|
||
15
|
With burnd on the back of my palms will I regret my cause and revel
in my thoughts
|
Mid shot
|
mid
|
rotation
|
Sadiq contemplating life
|
||
16
|
I’m caught in the winds of remorse ‘Cause everybody knows
|
Close up
|
mid
|
none
|
Sadiq looks up to find somebody
|
||
17
|
What good is a sword next to a shotgun x3
|
Long shot
|
mid
|
none
|
Indie walks away from sadiq whilst sadiq runs after her
|
||
18
|
Am I biting the bullet
|
Mid shot
|
mid
|
none
|
Indie turns around and knocks sadiq on the floor
|
||
19
|
Am I biting the bullet
|
Long shot
|
Low angle
|
none
|
Indie walks away
|
||
20
|
woodland Pm
|
What good is a sword next to a shotgun
|
Sadiq
|
Establishing shot
|
mid
|
none
|
Two shots that’ll cross fade
|